nothing-rhymes-with-ianto:

I love that Lestrade honestly believes it was Sherlock.

Oh Lestrade…. 

kkay58:

ishipjohnlock247:

halianfromplanetzork:

rrrowr:

merrymethods:

Okay, but it is actually perfect.

You’ve got John looking somewhere between guilty and resigned; “I love you, which I know is enormously inconvenient and, at the end of the day, meaningless to you, but, there you have it.”

Then, oh my god, look at Lestrade. That expectant little glance, because he totally ships it, and he probably encouraged John to confess, and now it’s, “… come on, motherfucker, tell him you love him, too. Don’t cock it up.”

But.

You know.

Sherlock.

Who’s disappointed in his lack of ability to experience affection in that way but can’t be what he’s not, so says nothing.

I love it.

keeping dat.

This is adorable, i want this to happen in the actual show. <3

don’t we all!

Beautiful 

bakerstreetbabes:

“So lets work together”

Some Series 1 love.

jamesphillimoresumbrella:

thescienceofjohnlock:

a-cumberbatch-of-cookies:

nodaybuttodaytodefygravity:

holdmyhandmydear:

perfectbenny:

Is that the version of Sherlock that comes with this version of John?

And this version of Moriarty and Moran?

It’s like the fucking bizzaro-Sherlock show.

Also, let’s not forget Mycroft:

I’m actually kinda scared right now

And Lestrade too:

cumberbitchsandwich:

emmagrant01:

I thought, “That dialogue is familiar,” and then I went :-D :-D :-D

Fantastic.

a-guide-to-graphology:

The Girls found this and thought that you all might enjoy it. The handwriting is very, very well disguised. Look at the attention to pressure, slant, connections, and implied speed. These are amongst the hardest things to disguise convincingly because they are so dependent on one another.

A few observations and what they imply:

-The artist is possibly left-handed. (T-bar was drawn right to left, the baselines are all upward with the exception of the second Anderson, which was probably written with the non-dominant hand.)
-Hooked arcades on letters (Donovan, Adler) related to problems with the opposite sex.
-Extended caps on all except for Donovan, Molly, and Anderson imply dramatisation.
-Looped ‘y’ on Molly, Moriarty, Donovan. Associated with creativity, esp. artistic.
-Long t-bars on all imply drive, self-confidence.
-Sherlock: Upper zone. Intellectual pursuits. Also “dry” writing: studious. Heavy pressure, intensity, passion, aggression.
-John: Leftward slant implies caution, introversion, separation of private and public.
-Moriarty: Broad strokes, missing middle zone. Intellectual and material, decadent, aesthetics. Upright slant, lack of empathy.
-Moran: Heavy, knife-like motions. Implies aggression. (Same for Knight.) Missing middle zone, lack of understanding people. No understanding of the present and social. Upright slant, lack of empathy.
-Molly: Exaggerated middle zone. Social, immature, image driven.
-Donovan: copybook style, “by the book,” unpretentious. Broadness, creativity (innovation). Rightward angle, willingness to share.
-Irene: -The ‘d’ in ‘Adler’ has a stem that is 2.5 x’s the size of the circle. Associated with vanity. Elongated tail, caution.
-Anderson: use of mixed caps implies a need for privacy.
-Sarah: open ‘a’ implies talkativeness.

Overall, highly successful.

-Anderson

(Go check out taggianto’s blog! It’s wonderful! -The Girls)

March 5th, 2011. John realizes that Lestrade’s on the same boat.